Responding to contemporary tendencies in Pop Art, the luxurious finish of the frames hijacks the high-shine consumerist aesthetic of the 1960s by using surface appeal to draw the viewer beyond material beauty towards an appreciation of the great unknown.
In 1940 he returned to Argentina. InBuenos Aires (1946) he founded the Altamira academy together with some of his students, and made public theWhite Manifesto, where it is stated that "Matter, colour and sound in motion are the phenomena whose simultaneous development makes up the new art". In the text, which Fontana did not sign but to which he actively contributed, he began to formulate the theories that he was to expand as Spazialismo, or Spatialism, in five manifestos from 1947 to 1952.[
strate their range and diversity. Created between 1964 and 1966, in the wake of his renowned Fine di Dio (“End of God”) series, the Teatrini condense vast cosmic reality into an objectified spectacle of space.
http://www.italianways.com/the-agreement-between-lucio-fontana-and-ugo-mulas/
http://www.italianways.com/paolo-uccellos-counter-clockwise-clock-in-florence/